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attends 'Back To The Future Of Media' during the 2015 SXSW Music, Film + Interactive Festival at Austin Convention Center on March 13, 2015 in Austin, Texas.
Tech
Is Thrillist Media Group for sale?
By Daniel RobertsJuly 20, 2015
Gawker gives media world a model of crude courage
Tech
Gawker gives media world a model of crude courage
By Jeff John RobertsJuly 16, 2015
The deeper meaning of the ‘dad bod’ phenomenon
Arts & Entertainment
The deeper meaning of the ‘dad bod’ phenomenon
By The ConversationJuly 5, 2015
Key Speakers At The Aspen Ideas Festival
Tech
Mark Penn leaves Microsoft to, you got it, invest in digital media
By Barb DarrowJune 17, 2015
Speculation Surrounds The Financial Times
Tech
Print readership is still plummeting, and paywalls aren’t really helping
By Mathew IngramJune 1, 2015
Jim Bankoff
Tech
Online publisher Vox acquires tech news site Recode
By Kia KokalitchevaMay 26, 2015
Inside The 2014 Consumer Electronics Show
MPW
How Marissa Mayer landed Katie Couric—and measures her value
By Kristen BellstromMay 20, 2015
Tim Armstrong
Finance
AOL is worth barely more than Snapchat was at 2 years old
By Daniel RobertsMay 12, 2015
This is the latest way employers mask age bias, lawyers say
Leadership
This is the latest way employers mask age bias, lawyers say
By Vivian GiangMay 4, 2015
2010 Sundance Film Festival - "Cinerama Futurama" Panel
Tech
Pixar vets raise another $15 million for their talking toy company
By Dan PrimackDecember 9, 2014
Revenue from licensing music for digital streaming has meant big revenue bumps for agencies like BMI and Ascap. Perhaps it’s time for the “B” in BMI to stand for “billion”—as in $1 billion in annual revenue. The music agency, whose full name is Broadcast Music Inc., announced Thursday that it set an industry record by raking in $1.013 billion over the year ending June 30. That’s BMI’s highest yearly revenue ever, and it squeaks by the $1.001 billion reported earlier this year by ASCAP, BMI’s main rival for handling music licensing and artists’ songs for play on radio, television, streaming media, and other platforms. BMI and ASCAP — the latter of which said it was the first performing rights organization to top $1 billion — have increased their revenue in recent years even as the music industry on the whole remains in flux due to evolving distribution models. The increase comes amid higher consumption of digital music, which requires streaming services like Pandora P 0.38% , Spotify, YouTube GOOG 1.15% , and Apple Music AAPL 2.09% to pay BMI and ASCAP royalties to stream songs by their songwriter members. Together, ASCAP and BMI represent a reported 90% of songs released commercially in the U.S. BMI's roster of artists includes Taylor Swift, Lady Gaga, and Lil Wayne.
Retail
Billboard will soon include music streams and digital downloads
By John KellNovember 20, 2014
Illustrations of Gannett Co. Digitial Properties Ahead of Earnings
Finance
Gannett becomes the latest media firm to split its print, TV assets
By John KellAugust 5, 2014
What can be counted, and what counts
Features
What can be counted, and what counts
By Andrew SerwerJanuary 16, 2014
The disruptive world of YouTube
Tech
The disruptive world of YouTube
By Fortune EditorsJuly 25, 2013
Law comes to one of the Internet’s Wild Wests
Tech
Law comes to one of the Internet’s Wild Wests
By Michael FitzpatrickOctober 5, 2012
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Cybersecurity
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Success
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