Influencers say quality brand deals have been replaced by ‘sketchy’ TikTok Shop spam

The creator economy is feeling some turbulence.
The creator economy is feeling some turbulence.
Rafael Henrique/SOPA Images/LightRocket via Getty Images

Hey there, it’s tech reporter Alexandra Sternlicht. Last night I braved swarms of banking analysts in Manhattan to reach a mixer for creator-economy types.

There, I mingled with influencers who’ve garnered millions of likes, and with the folks who pull the strings: marketers, managers, financiers (and one ex-U.S. Open ball boy) in the $250 billion creator economy. And the vibe was what can only be described as trauma bonding. 

“There’s so many people who just don’t know what they’re doing in this space,” says Jacob Wallach, founder of social media consultancy Social4TheWin, which sponsored the night’s festivities. 

He’s throwing these events on a monthly basis to “break barriers” in the creator economy by getting creators, brand marketers, and tech workers in a room—or bar. Wallach steered me to two well-known creators who both complained that their high-paying promotional deals with big brands have all but evaporated. Instead, they’re being inundated by random low-rent merchants who pay a lot less and only want them to create advertorial videos for TikTok’s e-commerce initiative, Shop, which launched publicly about six months ago.

“I get 10 emails a day [from brands] asking me to do stuff for TikTok Shop, and they’re all really, really sketchy and it’s not lucrative,” says Sarah Luciano, whose comedic @lucianobunny TikTok account has attracted over 450,000 followers and 25.5 million likes. “If anything, TikTok Shop threw a wrench into my brand deals.” 

Melissa Becraft, a dancer for the NBA’s Brooklyn Nets who has over 1.2 million TikTok followers and 50 million likes on her @melissabecraft account, then chimes in: “Yeah! It’s all products that have nothing to do with what I do. It’s like, ‘You’re a dancer, what about this vacuum cleaner?’”

Though TikTok Shop videos resonate far less with users than the organic content like flashy dancing and sketch comedy on the service, it’s probably not going anywhere. Quality brands may be less inclined to forge old-fashioned creator partnerships on TikTok while the platform elevates Shop content—usually cheap dollar store merchandise like a $1.59 light-up toy, $5.88 butt-enhancing leggings, and $1.51 Mexican chips

Becraft and Luciano know that brand deals will return if they achieve their goals: Make compelling content that sparks viral trends within their respective genres. For now, they’re sifting through spam emails for partnership offers from actual humans. 

Visitour Media founder Benjamin Putzer, who I bump into while ordering a sparkling water, is well-aware of this struggle. His agency and production company is trying to train college kids to be influencers. He was partially inspired to found the business—currently a side hustle to his day job, also in the creator economy—because he sees an opportunity for student athletes to profit from their name image and likeness (NIL) rights after the 2021 Supreme Court ruling that opened the door to it. 

“I grew up my whole life trying to play college football, but I couldn’t,” says the 2022 grad, shouting over clubby EDM beats. “99% of college fans will never get that opportunity. If you’re a college athlete who understands that, and creates content around it, you’re going to have a chance to make a name for yourself beyond your sport.” 

With incredible NIL successes like college gymnast Olivia Dunne, who made $2.3 million last year mostly from brand deals (per Forbes), maybe Putzer will be able to make Visitour a force on college campuses nationwide. For now, he’s a student of the influencer craft—and hoping the industry will soon rebound from its current pall.

Alexandra Sternlicht

The rest of this edition of Data Sheet was written by David Meyer.

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