This Mattel executive had to strengthen the Barbie brand before the company could ‘have fun’ with Greta Gerwig’s movie
Good morning, Broadsheet readers! The House of Representatives finally gets a new speaker; unemployment fell in December; and the Barbie movie isn’t what you think it is. Have a meaningful Monday.
Come on, Barbie. The December debut of a trailer for this summer’s highly anticipated Barbie movie was a moment decades in the making. The teaser for the Greta Gerwig–directed film opens with actor Margot Robbie as a hundred-foot-tall Barbie, dressed in her original 1959 styling.
For Lisa McKnight, the overwhelming public response to the clip—and to on-set photos of Robbie and Ryan Gosling as Ken months earlier—represented the culmination of years of her own career, too. She joined Mattel almost 25 years ago and today serves as the company’s EVP and global head of the Barbie and dolls portfolio.
A Barbie movie has long been discussed at Mattel, but the project moved forward and backward in fits and starts over the years. The film was housed at Sony Pictures, with Amy Schumer at one point attached to play the titular figure, before Warner Bros. bought the rights in 2018. Gerwig was confirmed to direct the film in 2021, with Robbie in the lead role and producing via her company, LuckyChap Entertainment, which focuses on women-centered stories including I, Tonya and Promising Young Woman.
Before any film adaptation of the 63-year-old pop cultural figure could be successful, Mattel had to be confident in Barbie as a brand. In her role at the company, McKnight handles studio adaptations of Mattel’s intellectual property and works to build brands beyond their traditional product (her portfolio also includes Polly Pocket and Monster High). “When I started at Mattel, we were very much a toy company,” she says. “What’s been exciting is over the years to see the company embrace brand and the power of being bigger than one category of business. We have a signature style and identity and a brand voice that transcends any one individual product expression.”
For Barbie, that has meant new avenues like NFTs alongside efforts to modernize the character to resonate with today’s children and adults, many of whom rejected the doll’s traditional representation of femininity and unrealistic beauty standards. “We’ve done incredible work over the past seven, eight years, to modernize Barbie to ensure that she’s in lockstep with culture,” McKnight says. Today’s Barbies honor historic figures like Billie Jean King and Ida B. Wells and feature more diverse versions of the character, like dolls who use wheelchairs. McKnight says the Barbie brand has “doubled in size” over the past five years.
Executives’ confidence in the strength of the brand with consumers allowed them to take a leap of faith entrusting a creative director like Gerwig (known for Little Women and Lady Bird) with this long-awaited film. “We’re having fun with the brand—at different stages in the brand’s history that may not have been doable,” McKnight says. “But we’re confident today, and we’re feeling bold and empowered.”
McKnight is tight-lipped about the film itself, which hits theaters in July 2023. She says the PG-13 movie pays tribute to Barbie as a “pop culture icon,” as seen in trends like the Barbiecore fashion aesthetic popular last year.
“When you’re in the marketplace for over 60 years, you’ve got your legacy. It’s a blessing, and it can be a challenge,” McKnight says. “The takeaway of this story is that it’s not what you think it is going to be.”
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“It’s the most fashionable thing you can do if you’re working in the world of fashion right now.”
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