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The women-dominated Grammys—from Tracy Chapman to Taylor Swift—start to right the Recording Academy’s past wrongs

By
Alicia Adamczyk
Alicia Adamczyk
and
Joey Abrams
Joey Abrams
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By
Alicia Adamczyk
Alicia Adamczyk
and
Joey Abrams
Joey Abrams
Down Arrow Button Icon
February 5, 2024, 9:01 AM ET
Lucy Dacus, Julien Baker, and Phoebe Bridgers of Boygenius attend the 66th GRAMMY Awards at Crypto.com Arena on Feb. 4, 2024 in Los Angeles, California.
Lucy Dacus, Julien Baker, and Phoebe Bridgers of Boygenius attend the 66th GRAMMY Awards at Crypto.com Arena on Feb. 4, 2024 in Los Angeles, California. Johnny Nunez—Getty Images for The Recording Academy

Good morning, Broadsheet readers! A new U.K. study finds Gen Z males are more critical of feminism than older men, Fulton County DA Fani Willis was subpoenaed by the House Judiciary Committee, and women dominated the major awards at the 2024 Grammys, with Taylor Swift once again making history. Have a meaningful Monday.

– Showstoppers. Six years ago, the Recording Academy’s then-president Neil Portnow responded to #GrammysSoMale criticism by saying women needed to “step up.” Of course, women have always made valuable contributions to the music industry. At 66th Grammys awards on Sunday night, the Recording Academy seemed to enter a new era and recognized them for it—in spectacular fashion.

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Women dominated the evening, which is only fitting, since women “dominated music this year,” as host Trevor Noah noted early on. The likes of SZA, Miley Cyrus, Olivia Rodrigo, boygenius, Taylor Swift, Lana Del Rey, Billie Eilish, and more commanded the charts, the live entertainment circuit, and the pop culture conversation at large in 2023. On Sunday, women swept the top categories, Fantasia Barrino performed an electric tribute to Tina Turner, Celine Dion made a surprise appearance, and Taylor Swift announced her newest album. In fact, hours into the main Grammys telecast, only women had won awards.

Among the highlights of the night: Tracy Chapman taking the stage to sing her eternal hit “Fast Car” with country singer Luke Combs, whose cover of the song contributed to Chapman winning song of the year at the Country Music Awards, the first Black woman ever to do so.

Then there was Joni Mitchell, giving her first Grammys performance ever at 80 years old, an emotional rendition of “Both Sides Now,” accompanied by Brandi Carlile and a host of talented musicians. Mitchell took home her 10th Grammy for Best Folk Album.

And the night wouldn’t be complete without Swift, a Grammys darling, making history once again, this time winning Album of the Year for the fourth time—a record for any musician—for her 10th studio album Midnights.

Some other notable winners: Victoria Monét for Best New Artist and Best R&B Album; boygenius for Best Alternative Album, Best Rock Song, and Best Rock Performance; Billie Eilish for song of the year; Miley Cyrus for Record of the Year and Best Pop Solo Performance; Lainey Wilson for Best Country Album; Tyla for Best African Music Performance; and SZA for Best R&B Song and Best Pop Duo Performance, with Phoebe Bridgers. Bridgers, a member of boygenius, came out with the most awards, notching four trophies throughout the night.

Still, at least one recipient took the Grammys to task for past female snubs. Jay-Z called out the Recording Academy for overlooking his wife, Beyoncé, who has never won Album of the Year despite her many other Grammys and industry-changing career.

Overall the night was a testament to the power of the women, past and present, and felt like one step towards righting some of the music industry’s past wrongs.

Alicia Adamczyk
alicia.adamczyk@fortune.com
@AliciaAdamczyk

The Broadsheet is Fortune’s newsletter for and about the world’s most powerful women. Today’s edition was curated by Joseph Abrams. Subscribe here.

ALSO IN THE HEADLINES

- Moving backwards. A new report out of the U.K. found that Gen Z men are more likely than baby boomers to consider feminism harmful. A quarter of these Gen Z men also think it’s harder to be a man in society than it is to be a woman. Fortune

- DA demands. Fulton County District Attorney Fani Willis, who’s currently prosecuting Donald Trump for racketeering charges, was subpoenaed last week by the House Judiciary Committee for an alleged plan to misuse federal grant money. The allegations stem from a now-fired whistleblower who suggested that Willis’s office intended to use a $500,000 youth programs grant for “frivolous, unrelated expenses.” Willis denied the allegations. Forbes

- Chance encounters. Tesla CEO Elon Musk can’t seem to escape the reins of Delaware Chancery Court Judge Kathaleen McCormick, who shut down his $55.8 billion pay package from Tesla last week. Judge McCormick also forced Musk to make good on his $44 billion offer to purchase Twitter in 2022. Her latest order prompted Musk to label her an “activist” and vow to move Tesla’s incorporation out of the state. Bloomberg

- That's showbiz. In more X news, CEO Linda Yaccarino is using her decades-long career in TV to lure stars away from the bureaucracy of cable and towards the creative independence offered by the social media platform. Yaccarino has recruited seasoned hosts like Don Lemon and politicians like Tulsi Gabbard to produce extended commentary shows as X tries to compete with other platforms that boast informal, short-form content. New York Times

- Celebration controversy. The Recording Academy honored lawyer Joel Katz with its Trustees Award on Saturday, but women in the industry say he carried out under-the-table settlements and NDAs in response to sexual assault allegations against the organization’s leadership. The LA Times confirmed that at least five women received such offers in the past 30 years. Katz did not comment on the claims. LA Times

MOVERS AND SHAKERS: Edtech company Panorama Education hired Melissa Gardner as CMO. 

ON MY RADAR

Barbara Lee’s antiwar campaign for the Senate The New Yorker

Full-time job, zero formal child care The Cut

Why more American women could be forced to get C-sections Elle

PARTING WORDS

"I had to wait for this big moment, and when I say ‘wait,’ I don’t mean sitting on my hands—I had to climb up a hill for a really long time. It’s giving Mount Everest."

—Musician Victoria Monét on her career and path to seven Grammy nominations

This is the web version of The Broadsheet, a daily newsletter for and about the world’s most powerful women. Sign up to get it delivered free to your inbox.

About the Authors
Alicia Adamczyk
By Alicia AdamczykSenior Writer
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Alicia Adamczyk is a former New York City-based senior writer at Fortune, covering personal finance, investing, and retirement.

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By Joey AbramsAssociate Production Editor

Joey Abrams is the associate production editor at Fortune.

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