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NewslettersMPW Daily

Hinge is growing while online dating competitors are struggling. Its new CEO explains why

Ellie Austin
By
Ellie Austin
Ellie Austin
Editorial Director, Most Powerful Women
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Ellie Austin
By
Ellie Austin
Ellie Austin
Editorial Director, Most Powerful Women
Down Arrow Button Icon
March 17, 2026, 11:39 AM ET
Jackie Jantos speaks onstage during a "Conquering the Loneliness Epidemic" panel discussion at SXSW London in June 2025.
Jackie Jantos speaks onstage during a "Conquering the Loneliness Epidemic" panel discussion at SXSW London in June 2025.Kate Green—Getty Images for SXSW London

Good afternoon! It’s Ellie Austin here again, standing in for Emma who is on vacation. In today’s newsletter: A Columbia University protestor is finally released from ICE detention, Susie Wiles announces her breast cancer diagnosis, and my exclusive interview with the new CEO of Hinge.

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Anyone who is single will tell you that dating in 2026 is a struggle. Digital burnout, combined with financial pressures, a loneliness epidemic, shifting gender norms, and increasingly rigid beauty standards have led many young adults to withdraw from the dating scene, in what the Institute of Family Studies has dubbed a “dating recession.” This is despite technological advances, such as AI-driven matchmaking, claiming to make the process of finding a partner more efficient than ever.

Into this complex landscape, enter Jackie Jantos, the new CEO of Hinge. Jantos took over at the end of last year, following the departure of the company’s founder, Justin McLeod, who had run the company since its 2011 launch. (McLeod is now working on an AI-first dating app.) In 2018, Hinge was acquired by Match Group, which owns a portfolio of dating platforms, including Match.com and Tinder. Jantos, who previously held leadership roles at Spotify and Coca-Cola, was an internal hire: She joined Hinge in 2021 as CMO, adding the president title to her résumé in March 2025. “Justin and I had been plotting this path for a while,” she tells me. “In some ways it felt like a big shift, stepping into the role, but in other ways, it’s just really familiar and we’re continuing to do what we’ve always done.” 

As Jantos describes it, that is delivering “the goal of getting people off the app” and into happy relationships. (Hinge’s tag line is “designed to be deleted.” She says the company’s ultimate mission is to “create a world that feels less lonely.”) “The success of daters is the success of the business,” she adds. And the business is doing well in an otherwise rocky category. While competitor Bumble saw revenue decline by 14.3% year-on-year in the last quarter of 2025, Hinge’s revenue grew 26% in the same time period. (While Hinge reports 15 million monthly active users globally, Tinder remains the most popular dating platform, with around 50 million users per month.) “Hinge is absolutely an anomaly in the category,” says Jantos, who met her husband on Match.com. “Our focus on bettering the product experience for daters has singularly been the reason that we have been able to continue this growth.” On a concrete level, this translates to new features such as AI-generated prompts to help users start conversations, reminders to reply to messages (an attempt to reduce ghosting), and a “longer onboarding experience” with the goal of users creating in-depth profiles that encourage thoughtful engagement, she says.

And yet, when I speak to my friends using Hinge—and other dating apps, many feel disillusioned. Heterosexual women, in particular, describe infrequent matches, lackluster conversations, and being upsold to see the most interesting profiles. The academic, author, and podcaster Scott Galloway speaks regularly about how, at a time when more women go to university than men, the dating pool has been upended, with young professional women struggling to find male partners who match their level of education and ambition. This, in turn, makes young men feel left behind by society. What does Jantos make of this theory? “I don’t see any group’s challenges in life or in relationships as sizably larger or smaller than another” she says. And, as she reminds me, some problems are timeless. “Dating,” she says, “has never been easy.”

Ellie Austin
Editorial Director, Most Powerful Women
ellie.austin@fortune.com

The Most Powerful Women Daily newsletter is Fortune’s daily briefing for and about the women leading the business world. Subscribe here.

ALSO IN THE HEADLINES

Columbia University protestor released after a year in detention. Leqaa Kordia, a Palestinian woman living in New Jersey, was freed yesterday, more than one year after she was arrested during a pro-Palestinian demonstration at Columbia. The 33-year-old was held at a federal immigration detention center in Texas and has not been charged with a crime. NYT 

Susie Wiles has breast cancer. President’s Trump chief of staff and the first woman to hold the position announced yesterday that she has early-stage breast cancer. Wiles, 68, is due to begin a course of treatment that will last several weeks. She says her prognosis is “strong” and that she does not plan to take leave from her job. NYT 

The Taylor Swift effect strikes again. For the first time in a decade, U.S. vinyl sales have topped $1 billion, marking the 19th consecutive year of growth for the format. The resurgence has been led by Taylor Swift, who sells vinyl editions of her albums as collectible items. Last year’s The Life of a Showgirl was the bestselling vinyl release of 2025, with 1.6 million sales. The Guardian

ON MY RADAR

Epstein files exposed her name. Now Svetlana Pozhidaeva tells her story WSJ 

Inside Lululemon’s founder’s war with the board he says is killing his brand Fortune 

Brené Brown and Adam Grant want to repair the discourse NYT

PARTING WORDS

“Ryan [Coogler, the writer and director of Sinners] had women on this film that were heads of department. He gives us those opportunities to shine and be ourselves and work in a creative environment where we’re leading, strong, and have power.” 

— Autumn Durald Arkapaw, who made history on Sunday night by becoming the first woman to win the cinematography category at the Oscar's, reflecting on her win. 

This is the web version of MPW Daily, a daily newsletter for and about the world’s most powerful women. Sign up to get it delivered free to your inbox.
About the Author
Ellie Austin
By Ellie AustinEditorial Director, Most Powerful Women
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Ellie Austin is the editorial director of Most Powerful Women at Fortune.

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