• Home
  • News
  • Fortune 500
  • Tech
  • Finance
  • Leadership
  • Lifestyle
  • Rankings
  • Multimedia
Arts & EntertainmentNetflix

Sass as a Strategy: How Netflix’s Twitter Became Just as Entertaining as Its Shows and Movies

By
Chris Morris
Chris Morris
Former Contributing Writer
Down Arrow Button Icon
By
Chris Morris
Chris Morris
Former Contributing Writer
Down Arrow Button Icon
April 5, 2019, 7:00 AM ET
twitter-netflix-sassy-account
Netflix's social media presence takes on a sassy persona that's unique for most streaming companies.Photo Illustration: Courtesy of Netflix; Getty Images

Sass is nothing new on social media. It’s hard to scroll down even the tamest of Twitter feeds without finding some tongue-in-cheek or envelope-pushing comment.

But when it comes to corporate accounts, it’s a bit less common. Wary of their image, many companies, even entertainment companies, play it straight, addressing customer service issues and promoting their products. Not Netflix. The company that shifted the paradigm on home entertainment isn’t afraid to raise a few eyebrows.

Back in February, Adam Rippon made an off-the-cuff joke saying “I would let Marie Kondo reorganize the organs in my body.” Within minutes, the Netflix account replied “i would happily tell you which organs bring me joy but this is a family site.”

It’s not the sort of thing you’d expect Amazon to say about The Marvelous Mrs. Maisel.

Netflix declined to talk to Fortune about its social media strategy. A representative of the company said it prefers to let that team’s work speak for itself. But social media analysts say the company likely has a specific audience in mind.

“I think a lot is open to the difference among generations,” says Ari Simchi, director of strategy and operations at the digital marketing firm Group 8A. “The younger generation is going to have much more of an appreciation for it and find it more relatable. That’s probably their strategy. The cut-the-cord audience is going to relate. That audience appreciates transparency, relatability, and humor.”

Sassy social media accounts aren’t generally the bread and butter of entertainment companies. Because they traditionally are trying to appeal to a broad audience, they tend to lean to the conservative side, with exceptions made for certain properties. (For instance, Disney is unlikely to make PG-13 comments on its official Twitter feed, but can be much more suggestive or snarky via the account for the Deadpool films.)

Part of the problem with appealing to that large audience is knowing where the line lies, which is tricky, since people’s good taste barometer fluctuates regularly.

“Blunders happen all the time and no one is impervious to that, so everything should be done with caution on social media, especially when you’re a high profile company” says Simchi. “You want to keep it tasteful, but it’s a judgment call. You’ll know when something you’ve written has gone too far when the reaction from the public tells you it has.”

The sassiest social media feeds, actually, come from food service companies. DiGiorno Pizza, Hamburger Helper, and Arby’s have turned heads. Wendy’s, though, is often seen as the queen of sassy Twitter. And the company says that reputation has strengthened customer loyalty.

“You have to speak in a language that feels like today,” says Jimmy Bennett, senior director of media, social and partnerships for The Wendy’s Company. “If you’re speaking in a language that feels like yesterday, it’s not going to be impactful or well-received.”

Consumers, says Bennett, embrace a company that doesn’t seem monolithic or stuffy, which seems to be the same school of thought Netflix has adopted. Between choose-your-own-adventure programming and a willingness to engage in a high profile fight with Steven Spielberg, the company has sought to straddle the line between the disruptive startup it used to be and the industry leader it is today.

“The consumer has an expectation of who these companies are,” says Bennett. “Traditionally, they haven’t seen them interact in any real world capacity.”

One thing does seem to be universal when it comes to social media feeds with attitude, whether it’s an entertainment company, fast food restaurant, or consumer brand: The sass is largely concentrated on Twitter. Instagram and other outlets might have a bit of an edge, but they generally tend to be much more conservative in their posts and interactions.

Bennett says that’s because you’re able to have one-on-one conversations with people on that platform, which is more fulfilling for both the company, customer, and onlookers. But Simchi has another theory.

“Twitter can be the main source of putting out news or it can be a testing ground for other social media channels,” he says. “Right now, it’s used as a platform because it’s most associated with news, but if it’s working for the brand, I would expect they would eventually carry over that voice to other platforms.”

About the Author
By Chris MorrisFormer Contributing Writer

Chris Morris is a former contributing writer at Fortune, covering everything from general business news to the video game and theme park industries.

See full bioRight Arrow Button Icon

Latest in Arts & Entertainment

Big TechSpotify
Spotify users lamented Wrapped in 2024. This year, the company brought back an old favorite and made it less about AI
By Dave Lozo and Morning BrewDecember 4, 2025
16 hours ago
RoboCop
Arts & EntertainmentDetroit
Detroit’s bizarre romance with its very own RoboCop statue reaches happy ending, 15 years after love/hate crowdfunding campaign kicked it off
By Corey Williams, Mike Householder and The Associated PressDecember 4, 2025
16 hours ago
Erika Kirk
PoliticsMedia
Bari Weiss to moderate prime-time ‘town hall’ with Erika Kirk on CBS News
By The Associated PressDecember 4, 2025
16 hours ago
Zaslav
Arts & EntertainmentMedia
Paramount calls Warner Bros. sale ‘tainted’ in letter to CEO
By Christopher Palmeri and BloombergDecember 4, 2025
21 hours ago
Cropper
Arts & EntertainmentObituary
Steve Cropper, legendary guitarist on Memphis classics from ‘Green Onions’ to ‘In the Midnight Hour,’ dies at 84
By Adrian Sainz and The Associated PressDecember 4, 2025
23 hours ago
christmas
Arts & EntertainmentSpotify
From Spotify Wrapped to YouTube Recap to Amazon Delivered, the holidays are becoming a time of year for our tech to tell us who we are
By The Associated PressDecember 4, 2025
23 hours ago

Most Popular

placeholder alt text
Economy
Two months into the new fiscal year and the U.S. government is already spending more than $10 billion a week servicing national debt
By Eleanor PringleDecember 4, 2025
1 day ago
placeholder alt text
Success
‘Godfather of AI’ says Bill Gates and Elon Musk are right about the future of work—but he predicts mass unemployment is on its way
By Preston ForeDecember 4, 2025
21 hours ago
placeholder alt text
Success
Nearly 4 million new manufacturing jobs are coming to America as boomers retire—but it's the one trade job Gen Z doesn't want
By Emma BurleighDecember 4, 2025
22 hours ago
placeholder alt text
Success
Nvidia CEO Jensen Huang admits he works 7 days a week, including holidays, in a constant 'state of anxiety' out of fear of going bankrupt
By Jessica CoacciDecember 4, 2025
20 hours ago
placeholder alt text
North America
Jeff Bezos and Lauren Sánchez Bezos commit $102.5 million to organizations combating homelessness across the U.S.: ‘This is just the beginning’
By Sydney LakeDecember 2, 2025
3 days ago
placeholder alt text
Economy
Tariffs and the $38 trillion national debt: Kevin Hassett sees ’big reductions’ in deficit while Scott Bessent sees a ‘shrinking ice cube’
By Nick LichtenbergDecember 4, 2025
20 hours ago
Rankings
  • 100 Best Companies
  • Fortune 500
  • Global 500
  • Fortune 500 Europe
  • Most Powerful Women
  • Future 50
  • World’s Most Admired Companies
  • See All Rankings
Sections
  • Finance
  • Leadership
  • Success
  • Tech
  • Asia
  • Europe
  • Environment
  • Fortune Crypto
  • Health
  • Retail
  • Lifestyle
  • Politics
  • Newsletters
  • Magazine
  • Features
  • Commentary
  • Mpw
  • CEO Initiative
  • Conferences
  • Personal Finance
  • Education
Customer Support
  • Frequently Asked Questions
  • Customer Service Portal
  • Privacy Policy
  • Terms Of Use
  • Single Issues For Purchase
  • International Print
Commercial Services
  • Advertising
  • Fortune Brand Studio
  • Fortune Analytics
  • Fortune Conferences
  • Business Development
About Us
  • About Us
  • Editorial Calendar
  • Press Center
  • Work At Fortune
  • Diversity And Inclusion
  • Terms And Conditions
  • Site Map

© 2025 Fortune Media IP Limited. All Rights Reserved. Use of this site constitutes acceptance of our Terms of Use and Privacy Policy | CA Notice at Collection and Privacy Notice | Do Not Sell/Share My Personal Information
FORTUNE is a trademark of Fortune Media IP Limited, registered in the U.S. and other countries. FORTUNE may receive compensation for some links to products and services on this website. Offers may be subject to change without notice.