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MPWMost Powerful Women

Gen Z outspent every other generation on art last year—a fine arts executive says the internet and new wealth are supercharging their buying habits

Emma Burleigh
By
Emma Burleigh
Emma Burleigh
Reporter, Success
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Emma Burleigh
By
Emma Burleigh
Emma Burleigh
Reporter, Success
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October 15, 2026, 1:29 PM ET
Anita Heriot, president of The Fine Art Group Americas
Anita Heriot, president of The Fine Art Group Americas, said that Gen Z have a lot of money and “don’t know what to do with it”—so they’re buying up Basquiat's. Rebecca Greenfield/Fortune
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Gen Z is stepping into new wealth; the young generation amassed $9 trillion in income back in 2023, and by 2030, their earnings are expected to shoot up to $36 trillion. And in spending their riches, the 20-somethings are already snapping up fine art and luxe collectibles. Last year Gen Z spent twice as much on art compared to every other generation, according to recent data from Swiss bank UBS—and a fine arts expert says their buying habits are reshaping the market.

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“There are a lot of people now that have a lot of money and they don’t know what to do with it,”  Anita Heriot, president of The Fine Art Group Americas, told leadership editor Claire Zillman onstage at Fortune’s annual Most Powerful Women conference in Santa Barbara, California.

“I’m talking about a lot of the tech, sudden-wealth scenarios, and they buy what looks cool, and they don’t really think about [it],” she continued. “They don’t think about price.”

Heriot said they pay no mind to price tags, as they don’t know how to understand the value around the world. Gen Zers have been spending big on dinosaur bones, sneakers, $20 million Pokémon cards, the art executive explained. Beyond collectibles, she’s seen that young buyers have a strong interest in artists like Jean-Michel Basquiat.

Plus, they’re far less picky about how they snatch up multimillion-dollar art. Historically, older generations went in-person to art galleries or auctions to view pieces before deciding to put in an offer. But Gen Zers are just fine growing their collections from behind a laptop; when the COVID-19 shutdown forced them to stay at home, online bidding shot up 450%, Heriot said.

“So, this generation, they don’t mind buying off a JPEG. If it looks cool on a computer, they’ll buy it,” the The Fine Art Group president said. She believes Gen Zers are outspending all others due to their online shopping habits, and a “desire to start spending” their sudden wealth. 

The young generation’s interest in art will be no passing fad—but what they put within that category could shift, according to Heriot. While they may be buying up paintings and luxe collectables now, she predicts that they’ll seek out items that remind them of their youth, just like generations before them. Baby boomers bought up cars from the 60s, Heriot noted, hoping to reconnect with the experiences from their memories. She explained that it’s typical for people to “buy heavy” into that period of their culture. 1990s and 2000s-era items like the iPhone Classics or Xbox could become big-money items as Gen Zers age and yearn for that nostalgia. 

“I think it’s important to look at art with a big ‘A.’ I think there’s going to be a huge interest in those objects that they grew up with,” the executive explained. “For instance, we’re seeing a huge interest in buying Audis. Like, who’s buying an old Audi from 1982? They are. So that’s what we’re starting to see, and I think we’ll continue to see that.”

Fortune Daily breaks the traditional barrier between audience and newsroom. The show transforms Fortune’s trusted reporting into actionable, conversational, and entertaining insights for an emerging class of business leaders. Watch here.
About the Author
Emma Burleigh
By Emma BurleighReporter, Success

Emma Burleigh is a reporter at Fortune, covering success, careers, entrepreneurship, and personal finance. Before joining the Success desk, she co-authored Fortune’s CHRO Daily newsletter, extensively covering the workplace and the future of jobs. Emma has also written for publications including the Observer and The China Project, publishing long-form stories on culture, entertainment, and geopolitics. She has a joint-master’s degree from New York University in Global Journalism and East Asian Studies.

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